
A special aspect of Salisbury House & Gardens as a museum is that the vast majority of what visitors see on display are items the Weeks family acquired for their home back in the 1920s. The family had eclectic and varied tastes, collected objects from all across the globe, and had some even built into the walls of their house. With so many different kinds of objects it can be difficult to build a comprehensive list that doesn’t get too far into the weeds; instead, we’ve broken out the Salisbury House collection into a few broad categories.
Join us Sunday, April 27 for free admission of the first floor of the museum from noon to 5:00 PM, and a presentation and display from the Salisbury House Library Collection at Grinnell College Libraries from 2:00-4:00 PM.
Carl and Edith Weeks sought to make their home as historically accurate as possible, and so salvaged several architectural elements from the Salisbury, England area and worked with an antiques dealer named Reginald Mullins to acquire antique art and furniture that matched the aesthetic of their home.
Some notable furnishings and architectural elements are:
The Weeks family’s art collection contains paintings, statues, and other handcrafted items from all over the globe resulting in a mix of aesthetics. This collection is the clearest example of Carl and Edith’s eye for antiques, appreciation for culture, and excellent taste in modern art.
Notable artists in the collection include:
It is safe to say that Carl and Edith Weeks were maximalists. View any historic photograph from their time occupying the home, and you will see that every surface is covered with trinkets, bobbles, and other miscellaneous objects.They had knick-knacks, bric-a-brac, tchotchkes, mementos, keep-sakes, and anything else you might find in your great-grandma’s curio cabinet.
To be more specific, some objects included under this category are:
The Salisbury House archives contain documents regarding the construction of Salisbury House, the acquisition of collection items purchased for the home, documents and ads from The Armand Company (and other related businesses), and select personal documents from members of the Weeks family. As for photographs, most were taken by Carl Weeks and include interior shots 91 Crane St. Salisbury, England; Salisbury House over the last 100 years; and several photographs of the family.
Nell Gwyn was one of the first women to take to the London stage during the Restoration period, and developed a reputation as a quick-witted, charismatic, and bawdy comedic actress. While she is one of the most notable women to join English theater, she is better known historically as one of King Charles II’s many mistresses and the only one to be loved by the public.
The letter (written by Nell’s mother Ellen), entails some undetermined difficulty in receiving a pension. Nell was not raised wealthy, and slowly garnered her wealth over the years through her various affairs. Charles II reportedly said to his son, James II, on his death bed, “Let not poor Nelly starve.” James II carried out his father’s wish, and paid off the debtors that descended upon Gwyn after the king’s death in 1685.
Alongside the letter is The Story of Nell Gwyn and the Sayings of Charles II by Peter Cunningham, published in London 1896.
These items will be on loan from Grinnell College Libraries Special Collections for the months of June and July.